Considering the bounty of her talent, French tart Marie-Hélène Breillat has been surprisingly skingy over her long career. She started acting in the late ‘60s, with a guest appearance on the TV series Allô police, while her movie debut came soon after in the teacher-student love story Mourir d’aimer (1970). That title translates to To Die of Love, which sums up Mr. Skin’s feelings about this tease. That’s because Marie-Hélène has one of the biggest chests ever seen on the big screen, but doesn't show it nearly as much as we'd like. While the most marquee flick she was in was Last Tango in Paris (1972), Marie-Hélène first let her bodacious bosoms be seen in L’Ironie du sort (1974) which translates to "The Irony of Chance." The ironic thing is that was only an accidental flash while she was in bed, not that it bothered us any. Marie-Hélène landed the title role in Antigone (1974), and played Sybil in Le portrait of Dorian Gray (1977), but gave us more tits after the magic portraits in the TV show Claudine. Playing the title role, we get to watch Marie-Hélène hop out of a bath to yell at her maid for beating her pet dog. We bet you'll spank your monkey seeing Claudine's ass and rack on full display as she does it. After roles in Doktor Faustas (1982), Fanny and Alexander (1982) and an episode of Les amours romantiques Marie-Hélène abandoned the acting world when she was hit by illness. After divorcing her husband, the director of La Cage aux folles (1978) Edouard Molinaro, she went on to become a writer, while her sister Catherine Breillat has gone on to both write and direct movies. According to sis, while she's offered her roles in some of her flicks Marie-Hélène has no desire to ever act again. Oh well. When she was in her prime, the French fox whose giant jugs gave us rock hard cocks, Marie-Hélène Breillat was all that!
